Whether he is an artist or not, the photographer is a joyous sensualist, for the simple reason that the eye traffics in feelings, not in thoughts. – Walker Evans
At some point during my long sabbatical from photography, i purchased a TLR (twin lens reflex) from a camera shop in Atlanta. The TLR appealed to me because it reminded me of high school and i love the 2.25×2.25 negative.
I took journalism in high school. Our classroom was equiped with a nice darkroom and we had several TLR’s that the school had owned since the 50’s. I love the quality and portability of the cameras. So when I saw this Rolleicord, it struck a note of nostalgia.
However, the camera sat unused and carefully stored away for years until last week.
I had 1 roll of Fuji’s Neopan film with an iso rating of 100. The camera appeared to be in working order but you never know unless until you shoot a roll through it. So shoot I did.
There are several things about the Rolleicord that differ from the cameras I use on a daily basis in my work. The first, everything is backwards from the focusing screen to the side the focus ring is on. So i looked like a clumsy ox at first. Second, everything is manual and there is no built in light meter. This in itself is not a huge issue because i do own a hand-held meter. However using a hand-held meter requires more thought. Lastly, there is no preview screen. Your photos are not revealed until developed.
All these differences slow down the process and allows you time to think about releasing the shutter. It was very refreshing and reminded me of why I love the art of photography.
For the first roll, i just shot a few things close to home nothing too major. There are only 12 exposures on a 120 roll so it was easy to shoot through to the end. My choice of developers was Ilford Perceptol. Working with the chemicals requires even more thought with controlling the temperature and time.
The results of my short shot were dead on and with no light leaks. My little Rolleicord worked perfectly.
Since then, my head has been spinning with several projects that only film will do justice. The whole process is exciting and relaxing at the same time. I look forward to also recording my time in southwest Louisiana in film as well.
Now, I need to fix the enlarger I was given through a chance meeting. The cord needs repair and I need a new bulb. The challenge is going to be space for a table in a room that can be “blacked out.” I did find a lab in Atlanta that does E-6 processing for 120 film and they scan negatives and slides as well.

Recent Comments